BRYCE WILNER
Graphic design, type design, writing, publishing, teaching
wilnerbs @ gmail dot com


News

Screening the video essay Hand Eye: A Study of Tricontinental Photomontage:

Fri, Apr 18, 2025
Inga, Chicago, IL

Fri, Feb 28, 2025, 2 pm
For Maru Pabón’s “Third World Literature and Thought” class, Brown University, Providence, RI

Wed, Dec 11, 2024, 7:30 pm
Wendy’s Subway, Brooklyn, NY

Selected writing

“All at Once,” Source Type, eds. Ben Schwartz and Meg Miller (2020/22).

Breath Wreaths (New York, 2021).

“The Describer,” MFA 2018 annual, ed. Ayham Ghraowi (New Haven: Yale School of Art Publications, 2019).

In Their Own Language, ed. Benjamin Tiven (New York/New Haven: Library Stack, 2022).

“Review, Alexandra Bachzetsis: Show Time Book/Book Time Show,” TURBA Volume 3, Issue 1, eds. Tawny Andersen and Dena Davida (Spring 2024).

“Tongue of the Computer,” Are.na Annual, ed. Meg Miller (New York: Are.na, 2022).


Selected design commissions

Every Ocean Hughes and Barbara Hammer, Barbara Forever (London: Camden Arts Centre, 2019). Website. Designed with Matt Wolff.

Susan Solt (ed.), The Collected Poems of Mary Ellen Solt (Brooklyn: Primary Information, 2024). Offset print; 6.625 × 9.25 in.

Barbara T. Smith, I Am Abandoned, ed. James Hoff (Brooklyn: Primary Information, 2025). Offset print; 6.625 × 9.25 in.

lisasigal.net (2023). Website. Designed with Matt Wolff.

Tiffany Sia, On and Off-Screen Imaginaries, ed. Rachel Valinsky (Brooklyn: Primary Information, 2024). Offset print; 4.25 × 7.125 in.

Every Ocean Hughes, One Big Bag (2021). Film titles and digitally-printed poster; 19 × 28 in.

Robert Gober, Slides of a Changing Painting, ed. James Hoff (Brooklyn: Primary Information, 2025). Offset print; 10 × 7.5 in.

Angie Keefer (ed.), Version Space (2020–23). Website. Designed with Matt Wolff.

Woven seat stools (2024). Stained wood, screws, wood glue, dyed fiber rush, and shellac; 18.5 × 17 × 16 in.

*      *      *

BRYCE WILNER
Graphic design, type design, writing, publishing, teaching
wilnerbs @ gmail dot com


News

Screening the video essay Hand Eye: A Study of Tricontinental Photomontage:

Fri, Apr 18, 2025
Inga, Chicago, IL

Fri, Feb 28, 2025, 2 pm
For Maru Pabón’s “Third World Literature and Thought” class, Brown University, Providence, RI

Wed, Dec 11, 2024, 7:30 pm
Wendy’s Subway, Brooklyn, NY


Selected writing

“All at Once,” Source Type, eds. Ben Schwartz and Meg Miller (2020/22).

Breath Wreaths (New York, 2021).

“The Describer,” MFA 2018 annual, ed. Ayham Ghraowi (New Haven: Yale School of Art Publications, 2019).

In Their Own Language, ed. Benjamin Tiven (New York/New Haven: Library Stack, 2022).

“Review, Alexandra Bachzetsis: Show Time Book/Book Time Show,” TURBA Volume 3, Issue 1, eds. Tawny Andersen and Dena Davida (Spring 2024).

“Tongue of the Computer,” Are.na Annual, ed. Meg Miller (New York: Are.na, 2022).


Selected design commissions

Every Ocean Hughes and Barbara Hammer, Barbara Forever (London: Camden Arts Centre, 2019). Website. Designed with Matt Wolff.

Susan Solt (ed.), The Collected Poems of Mary Ellen Solt (Brooklyn: Primary Information, 2024). Offset print; 6.625 × 9.25 in.

Barbara T. Smith, I Am Abandoned, ed. James Hoff (Brooklyn: Primary Information, 2025). Offset print; 6.625 × 9.25 in.

lisasigal.net (2023). Website. Designed with Matt Wolff.

Tiffany Sia, On and Off-Screen Imaginaries, ed. Rachel Valinsky (Brooklyn: Primary Information, 2024). Offset print; 4.25 × 7.125 in.

Every Ocean Hughes, One Big Bag (2021). Film titles and digitally-printed poster; 19 × 28 in.

Robert Gober, Slides of a Changing Painting, ed. James Hoff (Brooklyn: Primary Information, 2025). Offset print; 10 × 7.5 in.

Angie Keefer (ed.), Version Space (2020–23). Website. Designed with Matt Wolff.

Woven seat stools (2024). Stained wood, screws, wood glue, dyed fiber rush, and shellac; 18.5 × 17 × 16 in.

*      *      *